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Floor tom paramiter eq tom.
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Drum mixing eq compression and gate expander by ross stratton from mike lee band duration.
Tom big four quick eq chart.
Ultimately how you eq and place each instrument has to work within the song the instruments and the record as a whole.
But here s an eq approach.
You can bring out some extra air on the tom tracks by using a high shelf of 2 3db starting in the 5 12khz range.
Some kits have more and others have less any number of tom toms in any size can be added to any any kit it s just a matter of the player deciding what they need.
Eqing tom drum cheat sheet click to enlarge these are quick starting points you can try to get you started for a tom drum sound.
Cut the boxy frequencies until you hear your toms getting thicker.
Add the lows add more lows to get a thicker tom sound.
50hz to 100hz is a good start.
More thump 4 at 200hz more attack 4 at 4 5khz more stick 6 at 7khz more air 2 at 10khz high shelf rack tom and floor tom drum eq recipes.
The floor tom is one of the most difficult drums to equalize because if we are not careful it can end up sounding like a basketballs instead of a very powerful drum but here s an eq approach that you can take to really make it sound great so once again our floor tom sound different but if it doesn t sound really good in the room it s not going to sound good regardless of how much.
Just like the kick drum remove a pretty big portion of the 200hz to 400hz region.
Start here for a slick modern tom sound band 1.
Depending on the size of the drum there are different frequencies involved.
Mixing toms eq goes first.
As stated tom toms are the support drums you add to your kit.
You can adjust your filter depending on how the tom was recorded and how fat the tom is the floor tom is the fattest.
Big floor toms have a fuller sound around 80 100 hz but smaller toms might need to be boosted even higher around 100 200 hz.
Start with a high pass filter and cut the low low end.
The floor tom is one of the most difficult drums to equalize because if we are not careful it can end up sounding like a basketballs instead of a very powerful drum.
Foh and mixing engineer dave stagl gives a basic approach for eq ing toms and drums for live sound while eq ing a tom from a recent live gig.
